A submission script found the smartphone, running from Fascinating Womanhood in 1963 to Ballerina Farm and Nara Smith. The episode takes the genuine appeal of the tradwife genre seriously, then examines the breadwinner irony, the sales funnel, and the trap documented by women who left.
No census of tradwives exists, so whether the phenomenon is large or the panic outruns it depends on whether reach or headcount is the metric. Whether a freely chosen traditional marriage can be criticized without patronizing the chooser is left open, as is how creators' denials of the label square with their imagery.